Concrete needs
a counterpoint

An original 1979 Porsche 928, offered as a subject and a prop for fashion campaigns, architects, photographers and editorial teams working across Belgium.

Silver 1979 Porsche 928 on wet cobbles in front of a board-formed concrete house in Belgium — Board-formed concrete, wet cobbles, one silver wedge. Belgium, autumn.

One

A 1970s car reads as architecture and as wardrobe — one image, not two.

The Porsche 928 needs no ornament. Its identity lies in proportion, material and silhouette—the same qualities that make an image endure. Its low waistline, aluminium panels and long glass tail place it somewhere between 1977 and now.

For architectural and fashion shoots, we bring the car and position it precisely where the composition calls for it. Then we leave the frame. No branding. No rental stickers. Just a silver 928.

Two — The body

Soft curve against hard slab.

Flush glass, body-coloured bumpers, and a silhouette that photographs cleanly from almost any angle. It sits low enough to leave a facade intact in the frame, and long enough to lean, sit or drape a look across.

Three — The details

Pinestripe, telephone dials, manual box

The interior is original throughout — pinstripe cloth, the factory radio, the small analogue clock. Useful when a close-up, a beauty shot or an accessory still has to carry the period on its own.